|
PRONUNCIATION GUIDE AND DICTIONARY
This guide provides a Karate related vocabulary for the
student’s use in the Dôjô. Do not feel overwhelmed at having to learn these
terms, they will become familiar through constant usage in the Dôjô. The
serious student of Karate will find that knowledge of the language, history and
culture of Okinawa are invaluable to further study.
Many Japanese words do not have a word for word
translation; therefore, more than one translation may be given. For example, the
word kokoro; can be defined as spirit; heart; will; mood; and intention.
Vowels
The key to correct pronunciation of Japanese lies in
the five vowel sounds.
A as in father
I as in unique
U as in rude
E as in yet
O as in hope
Consonants
Consonants are pronounced the same as in English with
the following exceptions:
G is always hard as in
go.
R is halfway between
the English R and D sounding something like L.
Long Vowels
Long vowels like Karate-Dô, are pronounced the
same only held longer.
Double Consonants
Double consonants are both pronounced. For example, the
word tettsui; is pronounced tet-tsui with both t's
enunciated.
Muting
Vowels are frequently muted after a soft consonant.
Examples are:
|
Mokuso |
mok' so |
|
desuka |
des' ka |
Sound Changes
The pronunciation of some consonants changes when
combining words and when shifting to the combining form of verbs. Some examples
are:
|
keri |
mae-geri |
|
tachi |
yoi-dachi |
|
mawasu |
mawashi |
Ranks and Titles in Karate-Dô
|
Kyû |
The 10 grades before black belt level.
The mudansha grades. |
|
Dan |
The 10 ranks of black belt level. The
yudansha ranks. |
|
Mudansha |
A person who holds a kyu grade. |
|
Yudansha |
A person who holds a dan rank. |
|
Sempai |
One's senior; a form of address for a
senior student. |
|
Sensei |
Your teacher; a title of respect for
someone older (and wiser). |
|
Shihan |
A person who holds an instructor's
license. |
|
Renshi |
A title given to one who is Godan or
Rokudan and at least 30 years of age. |
|
Kyôshi |
A title given to one who is Nanadan or
Hachidan and at least 40 years of age. |
|
Tasshi |
A title given to one who is Kudan and at
least 50 years of age. |
|
Hanshi |
A title given to one who is Jûdan and at
least 60 years of age. |
Ranks
|
Yudansha Ranks |
Mudansha Grades |
|
Shodan |
1st Dan |
Jû Kyû |
10th Kyû |
|
Nidan |
2nd Dan |
Ku Kyû |
9th Kyû |
|
Sandan |
3rd Dan |
Hachi Kyû |
8th Kyû |
|
Yondan |
4th Dan |
Nana Kyû |
7th Kyû |
|
Godan |
5th Dan |
Ro Kyû |
6th Kyû |
|
Rokudan |
6th Dan |
Go Kyû |
5th Kyû |
|
Nanadan |
7th Dan |
Yon Kyû |
4th Kyû |
|
Hachidan |
8th Dan |
San Kyû |
3rd Kyû |
|
Kudan |
9th Dan |
Ni Kyû |
2nd Kyû |
|
Jûdan |
10th Dan |
Ik Kyû |
1st Kyû |
Dôjô Courtesies
|
Anata wa o-genki desu ka? |
How are you? (Your health) |
|
Arigato gozaimasu |
Thank you very much. (More polite) |
|
Arigato |
Thank you |
|
Dô itashimashite |
Not at all. You are welcome. |
|
Dômo arigato gozaimasu |
Thank you very much (most polite form). |
|
Dômo |
Thanks. [Very casual form] |
|
Dôzo |
Please (do this). [Very casual form] |
|
Genki desu, arigato . |
I am fine, thank you. |
|
Gomen-nasai |
Excuse me |
|
Hajime shaste kudasai |
Permission to begin, please. |
|
Konban wa |
Good evening or Hello, when used as a greeting. |
|
Konnichi wa |
Good afternoon. |
|
Kudasai |
Please give me the favor of. [Polite form] |
|
Ohayô-gozaimasu |
Good morning. |
|
Omedeto-gozaimasu |
Congratulations. |
|
Onegai-shimasu |
I humbly request. Please teach me. |
|
Oyasumi-nasai |
Good night. (when going home for the night.) |
|
Sayônara |
Good bye |
|
Shitsurei, shimasu |
Excuse me. Good bye (To a senior). |
Dôjô Commands
|
Hajime |
Begin. |
Hayaku |
Hurry up. (Quickly.) |
|
Ki-o-tsuke |
Attention. Pay attention. |
Matte |
Wait. Stop. |
|
Mawatte |
Turn around. |
Môichido |
One more time. |
|
Mokusô hajime |
Meditation begins. |
Mokusô yame |
Meditation ends. |
|
Naotte |
Return to the Yoi. |
Narande |
Line up. |
|
Ô-tigai ni rei |
Bow to each other. |
Ô-tigai ni tashi |
Face each other. |
|
Rei |
Bow. |
Sensei ni rei |
Bow to the teacher. |
|
Shômen ni rei |
Bow to the front. |
Shomen ni tashi |
Face the front |
|
Suware |
Sit |
Tare |
Stand up. |
|
Yame |
Stop. |
Yasume |
Rest or relax. |
|
Yoi |
Ready |
Yoshi |
Continue |
Iroi - Colors
|
Shiroi |
White |
|
Murasaki |
Purple |
|
Kiiroi |
Yellow |
|
Orenji |
Orange |
|
Aoi |
Blue |
|
Midori |
Green |
|
Chairo |
Brown |
|
Kuroi |
Black |
|
Akai |
Red |
Bango - Numbers
|
Ichi (Sho) |
1 |
Nijû |
20 |
|
Ni |
2 |
Nijuichi |
21 |
|
San |
3 |
Sanjû |
30 |
|
Shi (Yon) |
4 |
Yonjû |
40 |
|
Go |
5 |
Gojû |
50 |
|
Roku |
6 |
Rokujû |
60 |
|
Shichi (Nana) |
7 |
Hyakû |
100 |
|
Hachi |
8 |
Gohyakû |
500 |
|
Ku (Kyû) |
9 |
Sen |
1000 |
|
Ju |
10 |
Gosen |
5000 |
|
Juichi |
11 |
Ichiman |
10000 |
|
Juni |
12 |
Jûman |
100000 |
Body Parts
|
Ago |
Jaw |
Ashi |
Leg or foot |
|
Ashikubi |
Ankle |
Ashiyubi |
Toes |
|
Atama |
Head |
Hana |
Nose |
|
Hara |
Abdomen |
Hiji (Empi) |
Elbow |
|
Hiza |
Knee |
Kami no ke |
Hair |
|
Kao |
Face |
Koshi |
Hips |
|
Kata |
Shoulder |
Kuchi |
Mouth |
|
Kubi |
Neck |
Me |
Eyes |
|
Mimi |
Ears |
Mune (Kyobu) |
Chest |
|
Nodo |
Throat |
Senaka |
Back |
|
Sune |
Shin |
Te |
Hand |
|
Tekubi |
Wrist |
Ude |
Arm |
|
Yubi |
Fingers |
|
|
Body Weapons
|
Haishu |
Back of hand |
Haito |
Ridge hand |
|
Hiraken |
Fore knuckle fist |
Ippon ken |
One knuckle fist |
|
Ippon nukite |
One finger spear |
Josokutei (Koshi) |
Ball of foot |
|
Kakato |
Heel |
Kakutô |
Bent wrist |
|
Ken |
Fist |
Kentsui (Tettsui) |
Hammer Fist |
|
Nakadaka ken |
Middle knuckle fist |
Nihon nukite |
Two finger spear |
|
Nukite |
Hand spear |
Seiken |
Forefist |
|
Shi |
Beak (fingertips) |
Shotei (Teisho) |
Palm heel |
|
Shutô |
Knife Hand |
Sokko (Haisoku) |
Instep |
|
Sokutei |
Bottom of foot |
Sokutô |
Footblade |
|
Tsumasaki |
Tips of toes |
Uraken |
Backfist |
Directions and Actions
|
Age |
Rising, upward |
Ate |
A strike or smash |
|
Hantai |
Opposite |
Harai |
Sweep |
|
Hidari |
Left |
Keri |
Kick |
|
Kiri |
Cut |
Mae |
Front |
|
Migi |
Right |
Nage |
Throw |
|
Naka |
Center, middle |
Nuki |
Pull |
|
Omote |
The front or face of |
Oshi |
Push |
|
Otoshi |
Dropping |
Shita |
Down, below |
|
Soto |
Outside, outward |
Tori |
Grab |
|
Tsuki |
Thrust or punch |
Uchi |
Inside, inward |
|
Uchi |
Strike |
Ue |
Above, upper |
|
Uke |
To receive, block |
Ura |
Behind, the back of |
|
Ushiro |
Back, rear |
Yoko |
Side |
Strikes and Blocks
|
Age Tsuki |
Rising Punch |
Age Uke |
Rising Block |
|
Choku-zuki |
Punch with the leading hand |
Chûdan-uke |
Middle level block. |
|
Gedan-uke |
Lower block |
Jodan-uke |
Upper level block |
|
Gyaku-zuki |
Reverse punch |
Kaku-zuki |
Punch across the front (Naihanchi Kata). |
|
Nukite-zuki |
Spear hand thrust. |
Oi-zuki |
Stepping punch. |
|
Seiken-zuki |
Forefist punch. |
Soto Uke |
Outside, middle block |
|
Tate-zuki |
Vertical fist punch. |
Tomoe-zuki |
A circular block/punch. (Passai kata) |
|
Ude-uke |
Arm block. |
Ura-zuki |
A close punch delivered |
Stances
|
Heisoku-dachi |
Feet together stance. |
Ippon-ashi-dachi |
One legged stance |
|
Kiba-dachi |
Horse stance. (Naihanchi-dachi) |
Kosa-dachi |
Cross legged stance (Kake dachi) |
|
Musubi-dachi |
Attention stance, heels touching, feet open |
Naihanchi-dachi |
Horse stance |
|
Neko-dachi |
Cat leg stance |
San Kaku Dachi |
Triangle Stance |
|
Seisan Dachi |
Front Stance - (Zenkutsu) |
Shizentai-dachi |
Short forward stance |
|
Yoi-dachi |
Ready stance. |
Zenkutsu-dachi |
Forward leaning stance |
Kicks
|
Ashi barai |
Foot sweep |
Ashuke |
Leg block |
|
Deashi-barai |
Front leg sweep |
Fumikomi geri |
A stomping kick |
|
Kansetsu-geri |
Joint kick |
Kekomi |
Kicking outward; a hrust kick. |
|
Keage |
Kicking upward; a snap kick. |
Kinteki-geri |
Groin kick (Kin-geri) |
|
Mae-geri |
Front kick. |
Mawashi-geri |
Roundhouse kick. |
|
Mikazuki-geri |
Crescent Kick |
Nidan-geri |
Double jumping 2 level front kick |
|
Osoto-geri |
Outside sweep; a type of takedown. |
Tobi-geri |
A jump kick. |
|
Ushiro-geri |
A back kick |
Yoko-geri |
Side kick |
Weapons – Kobudô
| Bô
(Rokushaku-bô)
|
Wooden staff ~ 6 feet in length |
|
Bô-jutsu |
Art of the bo |
|
Chizikun Bô |
Two short sticks fastened to the middle finger
with a string. |
|
Chinte |
A bamboo stave, approximately two-foot in length,
strapped to each arm. |
|
Eaku |
A boat oar, used as a weapon. (Also called Kai) |
|
Jô |
A staff 4 feet in length. |
|
Kama |
Sickle; bladed weapon with a wooden handle |
|
Nunchaku |
A wooden flail; Okinawan weapon |
|
Sai |
Trident shaped weapon made of steel |
|
Manji
|
Sai with both ends pointed and with the
forks pointing in opposite directions. |
|
Nunte |
Manji sai attached to the end of a bo; used like
a spear or for entrapment. |
|
Surichin |
A 6ft rope with weighted ends used to twirl and
entangle limbs and weapons. |
|
Tan Bô |
Two short sticks (2ft) used in pairs for striking
and grappling. |
|
Tonfa |
Originally the handle for a grinder; used as a
flail to spin and strike. |
General Terminology
|
Antei |
Balance |
Atemi |
Strike or blow causing pain. |
|
Atemi-jutsu |
Art of vital point striking. |
Atemi-waza |
Vital point striking techniques |
|
Bogu |
Protective armor |
Budo |
Martial ways |
|
Bujutsu |
Martial arts |
Bunkai |
To take apart kata moves |
|
Bushi |
A "warrior" |
Bushido |
Way of the Warrior (Japan). |
|
Bushi no te |
Warrior's hand, old name for Karate. |
Chiisai |
Small, little |
|
Chikama |
Close distance, can strike without stepping |
Chikara |
Strength |
|
Chudan |
Middle level (waist to neck) |
Dai sempai |
The most senior student |
|
Dai |
Major (e.g. Passai-Dai) A prefix for numbers
(e.g. Dai-ichi). |
Dekimashita |
I have done it. |
|
Dekimasen |
I cannot do it. |
Dekimasu |
I can do it. |
|
Dô |
Way, a suffix for an art that is practiced as a
way of life. |
Dô |
Chest protector used in Bogu Kumite |
|
Dôjô kun |
The guiding maxims of a Dojo. |
Dôjô |
"Way place"; training |
|
Fudôshin |
Immovable mind (cannot be distracted). |
FuKyû |
Fundamental |
|
Fumikomi |
An attack step |
Gi |
Karate uniform. |
|
Ge |
"Art", skill or technique |
Gedan |
Lower Area |
|
Gei |
Skilled or Skill |
Giri |
Obligation or duty. |
|
Go |
Hard |
Gokui |
The inner meaning or technique best suited to a
given situation. |
|
Hai |
Yes; signifies agreement with a question |
Hara |
Abdomen; seat of the soul; spiritual strength. |
|
Hiragana |
The Japanese cursive alphabet |
Iie |
No; disagreement to a question |
|
Jiyû-kumite |
Free style kumite, |
Jodan |
Upper |
|
Jû |
Soft; flexible; yielding. |
Jutsu |
"Art"; science. |
|
Kakushide |
Hidden technique |
Kamae |
Combative posture |
|
Kamidana |
The small wooden house on the shelf in front of
the Dojo |
Kamiza |
The Spirit seat (also see, Shinden) |
|
Kanji |
Japanese writing borrowed from Chinese |
Kansetsu |
Joints (of the body) |
|
Kansetsu-waza |
Joint locking or dislocating techniques. |
Karate-Dô |
"Way of Karate" |
|
Karate gakusei |
A karate student |
Karate-ka |
A practitioner of karate |
|
Kata |
Form; a prearranged exercise for individual
practice |
Katakana |
Phonetic alphabet, used for writing foreign words |
|
Keiko |
Practice or study |
Ken Kyû |
Study or Analyze |
|
Kempo |
"Fist method." |
Ki |
Life force, Energy |
|
Kiai |
A focusing of ki; a shout of the spirit |
Kihon |
Basic |
|
Kime |
Focus (of mental or physical energy) |
Kôhai |
One's junior in a Dojo |
|
Kobudô |
Ancient martial ways; the weapons arts of
Okinawa. |
Kobujutsu |
Ancient martial arts. Old name for weapons arts
of Okinawa. |
|
Kogeki |
Attacker (yakusoku kumite) |
Kokoro |
Mind, heart, spirit, will, intention, mood. |
|
Kokyû |
Breath |
Kokyû-chikara |
Internal power, generating power by inhaling |
|
Kote |
Gloves used in Bogu Kumite |
Kote-kitae |
Arm conditioning exercises |
|
Kumite |
Sparring match |
Kundoku |
The native Japanese word for a kanji |
|
Kuzushi |
To destroy the balance of an opponent prior to
throwing |
Kyûsho |
A vital point on the human body. |
|
Kyûsho-jutsu |
Vital point art. An advanced part of Karate that
deals with striking the vital points |
Ma |
Distance |
|
Ma-ai |
Combat engagement distance |
Makiwara |
A wrapped target |
|
Men |
Reinforced head protector used in Bogu Kumite |
Mitsu-tomoe |
The crest of Hachiman(Shinto god of war) which
was adopted as the family crest of Okinawa's ruling dynasty the Sho
family. |
|
Mizu no kokoro |
Mind like water; a calm mind |
Modote |
Return to ready |
|
Mushin |
Without conscious thought; no min |
Nage-waza |
A throwing technique |
|
Naha-te |
A type of Karate that developed around Naha city
under Kanryo Higaonna. The forerunner of Goju ryu Karate |
Nihongo |
Japanese language |
|
Nintai |
Perserverance |
Oboeru |
Memorization |
|
Obi |
A belt. |
Ôkii |
Big, large, |
|
On |
a favor, When someone does you a favor, you are
said to be carrying his on and giri forces you to repay it |
Ondoku |
The Japanese pronunciation of the Chinese word
for a kanji |
|
Onna |
Female |
Otoko |
Male |
|
Reigi |
Courtesy |
Romanji |
The system of writing Japanese words with the
English alphabet |
|
Renshû |
Training; repetitive practice of techniques |
Ryû |
A style of an art. A method of passing an art
down through time |
|
Ryûkyû |
The ancient kingdom of Okinawa |
Ryûkyû Kempo |
Ryukyu fist way Old name for Okinawan Karate |
|
RyûTe |
"Ryukyu Hands", Taika Oyata’s karate
system |
Seiza |
Formal sitting posture |
|
Shiai |
A contest. |
Shime |
A choke |
|
Shin |
Same as Kokoro. |
Shinden |
Spirit seat; the front area of the Dojo |
|
Shitahara |
The lower abdomen; the seat of the soul. |
Shô |
Small, minor. (Passai-Sho) |
|
Shomei |
The front area of a Dojo |
Shugyô |
Austere training |
|
Shugyôsha |
A person undergoing intense training |
Shuri-te |
The type of Karate that developed around Shuri
city under Tode Sakugawa |
|
Sôji |
Cleaning up the Dojo (before and after class). |
Suburi |
Slide swing. A sword exercise for developing
motion and striking |
|
Suburitô |
A heavy wooden sword used for Suburi |
Suki |
A momentary gap in concentration; an opening |
|
Sukoshi |
A few, a little bit |
Sukui |
Scooping |
|
Tachi |
A stance (specifically the. position of the lower
body). |
Tachirei |
A standing bow(also called Ritsurei) |
|
Tai |
The physical body |
Tai sabaki |
Body motion |
|
Tai-chikara |
External power; physical strength |
Taiso |
Exercises; martial exercises |
|
Takusan |
A lot |
Tameshiware |
Tests of strength in which boards, bricks and
other objects are broken. |
|
Tanren |
Spiritual forging |
Tatami |
Straw floor mat |
|
Te |
Hand; old name that refers to the original
fighting art that developed in Okinawa. |
Todame |
Forceful or Final Strike |
|
Tôde |
China hand; old name that refers to the art that
developed from the blending of Te and Chinese arts. |
Tôma |
Long distance (more than one step from the
opponent). |
|
Tomari-te |
The type of Karate that developed around Tomari
city under Kosaku Matsumora |
Tomoe |
Comma shaped, half circle |
|
Tsuki-no-kokoro |
Mind like moon. Refers to awareness |
Tsuyoki |
Strong spirit, |
|
Uchikomi |
Step forward and strike. |
Tuite |
Grappling art found in the older forms of Karate |
|
Uchima |
Striking distance (one step from the opponent). |
Uke |
To block; to receive; the receiver of a technique |
|
Ukemi |
The art of falling. |
Uki-ashi |
A floating foot (one that steps lightly). |
|
Undô |
A movement; an exercise, |
Wakarimasen |
I do not understand. |
|
Wakarimasu |
I understand. |
Waza |
A technique. |
|
Yakusoku |
Prearranged |
Yowaki |
Weak spirit. |
|
Yukkuri |
Slowly |
Zanshin |
"Remaining spirit"; perfect finish.
Continuing concentration after a technique. Total awareness |
|
Zarei |
A seated bow. |
|
|
Kata Names
|
Naihanchi Shodan |
Naihanchi Nidan |
Naihanchi Sandan |
|
Tomari Seisan |
Pian Shodan |
Pian Nidan |
|
Pian Sandan |
Pian Yondan |
Pian Godan |
|
Passai |
Kusanku |
Niseshi |
|
Shiho Hapo No Te |
Shiho Hapo Miyo No Te |
|
Kata Techniques
|
Hiji gatame |
Elbow Press |
|
Jodan Gedan atemi |
High-low strike |
|
Te hira gatame |
Palm Press |
|
Ude gatame |
Arm Press |
|
Ude hiki osae ago atemi |
Side arm pull chin strike |
|
Ude hiki osae gatami |
Side pull press |
|
Ude osae atemi keri |
Side block – strike-kick |
|
Ude osae koyubi kyusho atemi |
Side block-small knuckle strike |
|
Ude osae kyusho atemi |
Side block-throat nerve strike |
Five Basic Steps From Beginner to
Advanced.
To learn the sequence of kata correctly.
To practice each movement of the kata slowly with
full power and concentration.
To practice kata with full speed.
To combine each movement of kata with realistic
timing, to be applicable, for protection techniques.
To Cultivate detailed protection movements, with
accuracy and total body control
RyûTe Line of Instructors
Taika Oyata – Judan
from Okinawa, Japan. He is the Head Instructor of RyûTe Renmei and Oyata Shin
Shu Ho Ryû…. Taika began his training from Uhugushiku and Wakinaguri. He
later trained with Shigeru Nakamura and was training partners with Seikechi
Uehara. He moved to the United States in 1976 and set up his international
organizations with his senior students.
Uhugushiku - A retired
warrior, who had been one of the last to have served in the capacity of guard to
the royal family of Okinawa. He taught Taika Oyata, weapons, weapons fighting
theory and how to study kata.
Wakinaguri - A
descendent of the Chinese families that were sent to Okinawa from China as
envoys. He taught Taika Oyata theory about the body and how to study and develop
technique. He was an expert in the art of kyusho jitsu.
Nakamura - Responsible
for introducing Bogu Kumite into karate as a means to test techniques while
offering protection to the karate practitioners. He taught Taika Oyata the 12
empty hand kata that are taught in RyuTe.
Uehara - Inherited the
art of Motobu Ryû from Choyu Motobû. He led a research group where Taika Oyata
compaired what he had learned from Uhugushiku and Wakinawari with the art taught
by Uehara.
Other Important Information
Ken Pu Kan - The name
of Taika Oyata's dojo in Okinawa. He was given that name because of his quick
hands. They reminded his instructors of a Typhoon. Taika Oyata bestowed the same
name to Kyoshi Logue's dojo.
Okinawa - The largest
island in the Ryukyu Island Chain. Okinawa is located below Southern Japan and
just North of Taiwan. Okinawa played an important role in the development of
karate and is considered the birth place of modern karate.
RyûTe Renmei - This
is the name of the organization headed by Taika Seiyu Oyata. RyûTe is sort of
an accronym for Ryukyû Hands. Taika Chose this name because he believes that
all of the Ryukyû's and it's people are responsible for the development of
karate. He wanted to show this relationship in the name of the art that we
practice.
Oyata Shin Shu Ho Ryû
- Taika Oyata has taken the art past to him by his teachers and has combined it
with the wisdom and experience he has gained to form an elite group of his most
trusted students. He believes that character, not just technique is important to
understanding the true meaning of karate. "Shin Shu Ho" is translated
as, "To strive to attain true moral goodness and To express it through
one's every action."
Strategies
Rokkan: To
study your opponent to determine his basic physical factors. Observe his actions
while walking, talking, drinking or doing any physical activity. Is he
left-handed or right-handed? How tall is he? Is he large or small build? This
will give a picture of his physical makeup and possibly point out his strengths
and weakness.
Kenkyu: To
study your opponent's technique. That is, observe his actions to determine his
skill level and the way in which he carries himself. If you can observe him
actually using a technique, is there a weakness?
Skiganai: To
create a diversion by not taking a defensive position or showing weakness.
Appearing to be open while being aware of what is open.
Ichi geki: (one
technique). In strategy, timing is of utmost importance. Strike the opponent
when he is at his weakest point to defend, when he is attacking. Block or divert
and strike in one motion.
Karate Ni Senti Nashi: (there
is no first attack in karate). While this has come to have moral applications,
it is also a strategy. Attack the opponent after he begins his move, he will
reveal his weak areas and will not be able to defend.
Kogeki wa Saidai no Bouei Nari: (use
offense as a defense) If an attack is only diverted, the opponent will attack
again. Defend by using an offensive action as a defense. To use an
offensive counter is the best defense.
Ai Te: Surprise
opponent Important Precepts
TE WA ZERO DE HAJIMARI,
ZERO DE OWARU
Hands (RyûTe) begins with zero
and ends with zero (Death)
RYÛ TE WO RIKAI SHITE
SONO JITSU WO KENKYÛ SUREBA
TAMA NI NARI
RYÛ TE WO RIKAI SEZU
SONO JITSU WO RENSHU SHITE
ASE NAGASHITE MO
MUDA NI NARU
If you study the techniques of RyûTe,
without comprehending the true meaning
of it and practice it while perspiring,
you will be wasting your time.
If you study the techniques of RyûTe
with full knowledge;
your perspiration will turn to gold.
Dôjô Kun

Jin kaku kansei ni tsutomeru koto
Strive for a good moral character.
Work very hard to perfect or
complete human character
Strive to build good human traits;
Try very hard to reach the
actualization of a perfect human character.
Makoto no michi o mamaru koto
Keep an honest and sincere way.
Protect the way of honest or sincerity.
Doryoku no seishin o yashinau koto
Cultivate perseverance or a will for
striving.
Nurture the hard working spirit.
Reigi wo omonzuru koto
Develop a respectful attitude.
Value or respect etiquette or manners.
Keki no yu wo imashimeru koto
Restrain your physical ability by
spiritual attainment.
Given a strict warning about high spirit
full vigor
Hot-blooded arousement is strictly
warned.
UNDERSTANDING THE WAY OF KARATE
A guiding principle
The following articles were written so that those who
seek the way of karate will always be aware of their guiding principles.
1. When entering a dojo or asking to be taught, be
free from prejudice and be submissive, so that you will accept the teachings
as shown. This will help you to not establish bad habits.
2. Observe respect toward the Master and superiors.
Also, be courteous to fellow students and followers. Strive to develop the
virtue of humbleness.
3. A healthy body can be obtained through constant
training. Cultivate the spirit of perseverance.
4. Strive to be a warrior for the construction of a
peaceful and free world through the character building, morality, and
spirituality obtained by learning the way of karate.
5. In daily conduct, do not engage in fights or
arguments always be prudent.
6. In actual training, move up from the easy to the
difficult and from the simple to the complicated. More time and hard work
will be required for repetitious and continuous training. Never hurry but
strive for gradual development, and never engage in senseless or reckless
practice.
7. Become familiar with the use of the makiwara and
other training equipment. Train yourself to use your fist or other parts. Be
patient and earnestly study the kata or matches. Never aim for hurried
success.
8. It has been said that it takes three years to
comprehend a kata. In ancient days, a master studied a single kata for ten
years. There is no time limit for a kata to be improved. Never be proud,
even if much is accomplished. Pride hurts achievement in virtue, as well as
technique and will become like a poison.
9. Be cautious in training, do not develop a
favorite technique or it may become a weakness. Be careful not to become too
theoretical or technical.
10. Any question should be freely asked. Always
strive to understand what is being taught.
BACK
|